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"Sing me a song of Consolation" - for cello solo (2012)

A part of this work had been among my sketches for a few years already, not really knowing what to do with it. Was it going to be something for a cello concerto, which I had in mind? Or for a cello solo? Taking a gradual increasing interest in the early Baroque era, I came across the music of Sainte Colombe and Marin Marais. Their works for the viola da gamba incited me to write a solo work.
The part I already had, had now found its way into this nearly five-minute miniature (but not miniature in feeling, I hope)
I did want to put in some of the melancholic expressivity and the occasional (seeming) simplicity of Colombe's and Marais's music.

  Currently working on a work for      saxophone quartet, requested by      the Bron Saxophone Quartet.

  My latest work is "Ritual text      for the afterlife"  for women's          choir and tubular bells.
     Ancient Greek goldplates with      texts - recently  found in graves -      that were carried by the dead on      their journey to afterlife.

 In progress is a work of a much     bigger scale: Blodeuwedd,  a     dance poem for narrator,      singer/reciter, dancer and      ensemble. The poem is by the      Welsh poet Tony Conran.

  Another recent work (2016) is
     O me! O life!
(Walt Whitman) for      choir and string quintet.

  My guitar sonata (1982) is      now being published by
     Editiones Eudora (Madrid),

  Draaf, Foekje. Draaf!

    Watch the television interview.     (You need to understand Frisian,     though).